Sunday, February 10, 2008

Taare Zameen Par

I have always been somewhat suspicious of Aamir Khan; he's struck me as being too suave and media-savvy, and somehow obssessed with his image as a 'serious' artist. There's no doubt that he is both intelligent and articulate, a rare combination in Bollywood. But the way he's put those to use as a public figure has often been perplexing. While shunning the Indian Filmfare awards (because he believed they didn't operate on merit) he openly courted the Oscar for Lagaan, spending considerable time and money on the publicity campaign. In 2006 he was all over the news for sympathising with the Narmada Bachao Andolan; his involvement in the politically-sensitive protest movement eventually turned his god-awful Fanaa into a hit. More recently, he is alleged to have turned down an offer from Madame Tussauds to have him immortalised in wax, saying "it's not important to me, so i'm not interested"- or something to that effect.

If there's one thing I admire him for, however, it is for his ability to take on serious issues and package it to a mainstream Indian audience. Films with a social message are all well and good, but any kind of difference can only be made by altering public opinion, and filling up the cinema hall is not a bad way to start. He did it with Rang De Basanti, a film in which he was not the lone 'hero', but which nevertheless revolved around him and rode on his 'star with a conscience' status. And now, with his first film as director, he's done it again with Taare Zameen Par. The performance of the child actor is nothing short of brilliant, but a film on a topic such as this would normally be doomed to a few special screenings on the NGO circuit and a condescending 'special' award or two. Instead, it's one of the biggest hits of the year.

And he's clearly passionate. Although part of an ensemble cast in Rang De, Aamir was its most visible spokesperson; he toured extensively with the film across college campuses even as students, at the height of the frenzy, were tearing up American visas and pledging new-found allegiance to a suddenly-cool India. Now with Taare, Aamir has been busy organising screenings for high-profile ministers and such-like, propelling him to near-saint status. Sure, the cynics will say it's all a gimmick and every once in a while we will have to listen to some self-righteous spiel about his own sense of importance, but if the film ends up creating even a miniscule amount of awareness of -and difference to- our treatment of children and the abysmal state of our educational system, it would be a small price to pay.

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